Photos: MoCCA 2009 Star-Studded Explosion!

The calm before the storm...the first day of MoCCA 2009 got off to a late start, so I got to snap a picture of the floor mostly free of attendees. Since MoCCA's usual space caught on fire last year, this year's Art Festival took place at the Regiment Armory in Murray Hill, a gigantic high ceiling auditorium space that made the show feel less like a small press fair, and more like a major convention.

That's not to say there weren't plenty of indie creators and publishers at the show, but I was particularly struck by how many big name creators were there as well. It seems MoCCA has continued to gain traction as a place where indie creators come to be discovered as well as a way for more major presses to promote their new, more artsy releases.

Comic stars, fresh talent, awesome sketches, and neat tablecloths, after the jump...


PART 1: Big Names

Adrian Tomine signing at the The Drawn & Quarterly booth. Growing up in Berkeley, I was a fan of local sensation Tomine since I was a teenager, and Shortcomings was my favorite book of 2007. He was taking meticulous care in his autograph dedications, it was awesome just to watch him do the lettering!


Seth, creator of Palookaville, was looking very dapper during his Drawn and Quarterly signing.

Writer Joe Kelly and artist Rodney Ramos were giving away and signing copies of Bang! Tango at the Vertigo booth. I mentioned that I loved the Free Comic Book Day edition of Four Eyes, another of Kelly's books, and he pulled out the second issue and gave me an autographed copy of that as well. Sweetness.

Brian Wood with DMZ aplenty at the Vertigo Booth.

David Mack had Kabuki titles and original art for sale, as well as his recent kids book, The Shy Creatures.

I am of course a huge fan of the Act-i-Vate gang, represented at their booth by Molly Crabapple and Dean Haspiel.

Becky Cloonan was selling advance copies of Pixu (review coming soon!) and promoting her webcomic KGB with co-author/artist Hwan Cho.

Evan Dorkin was promoting Beast of Burden, his upcoming book with Jill Thompson.

Tara McPherson was signing her illustration work as well as her awesome line of Kid Robot toys.

Action Philosphers artist Ryan Dunlavey was just about dwarfed by his booth's immense signage!

Part 2: Webcomics

The boys of Dumbrella.

Oh. Man. Randall Munroe of xkcd had the most consistently big crowd I saw all day. This dude must be like, a millionaire!

Ryan North! I had no idea he'd done these amazing instructions for time travel that have been making the internet rounds. He was selling poster versions that you can put you and post inside your time machine in case of emergencies.

Ben Rosen of White Cat, with his neon killer sign.

These buttons feature "Admiral Snackbar", a fastfood mascot featured in The Rack by Kevin Church and Benjamin Birdie. I'm a big fan of puns, particularly Star Wars puns, and apparently so is Benjamin Birdie. Suffice to say, I bought one of these.


Part 3: Art and Stuff!

Cute overload....Mice doing martial arts by Stephanie Yue.

Some pretty brilliant t-shirt designs by Joanna Mulder (talk about an awesome geek name).

Okay; this is the best thing I saw all day. I'm sorry. I love creator-owned work, I love innovative, experimental comics that push boundaries, but I will always have Star Wars deeply implanted in my heart and soul, and these mini-anthologies of Star Wars comics are freakin' OUT OF CONTROL. I bought the first one, Harvest Is When I Need You Most. Just think about that title. That is beautiful. Each story is a wonderfully thoughtful and funny take on the Star Wars universe, and I may have to go buy the other two tomorrow. These are edited by Shelli Paroline, who autographed my copy along with a little picture of an Ewok.

This is a mural by Michael DiMotta, the colorist of my new favorite DC title, Ink. Turns out DiMotta is an extraordinarily talented penciller as well, and this double tryptic of animals was actually painted as mural for a school. Lucky kids!

More Michael DiMotta. Man, this is good stuff. Be sure to check out his homepage for high-res images of this print and much more.


Artist Jerry Ma was sketching at the booth for Secret Identities, the first ever Asian Superhero Anthology (which I recently covered for Midtown comics). This was just his "warm-up" sketch, so I think we can safely assume his sketches throughout the day were pretty badass.

This print by Lucy Knisley caught my eye, for obvious reasons. I asked when she did it, wondering if she drew it before or after the zombie explosion of the last few years, and it turns out she did it specifically for the convention, and turned it out just two days before the show! I should probably go back and buy this.

Nathan Stapley and Scott C at the Doublefine booth. I have to say I had no idea Doublefine, a studio I know best for creating the brilliant Psychonauts videogame and the upcoming Brutal Legend, did comics as well. But they do! Like I didn't have enough stuff to check out...JEEZ. Also they gave out free stickers.

Here's JoeGP, creator of the Talking Guinea Pigs webcomic. I'd never read it before, but I liked the art and writing so much on my initial flip-through, I had to buy one of the hard copies. He also drew me a sketch which I will post tomorrow at a more reasonable hour.

These two creators win best tablecloths of the day...

Martina Fugazzotto, recipient of last year's Friends of Lulu Kim Yale award, was displaying her awesome sex-positive sex-ed comics on an equally awesome psychadelic tablecloth.

Box Brown, author of Love Is A Peculiar Type of Thing which came out last week and looks great, had this exquisite 1970s Disco Peanuts tablecloth. Every Charlie Brown is happy when he's dancing to disco music! I asked Brown if he had a particular affinity for Peanuts, and he responded with an enthusiastic yes, adding that any comic featuring a character with a perfectly round head is a big draw.

That's just Day 1, folks! And there's even more on Geekanerd's Flickr.

Photos: Bergen Street's Free Comic Book Day and Act-i-Vate Party

Did everyone have a happy Free Comic Book Day? I did! Being Brooklynites, Degan and I picked up our freebies at Bergen Street Comics and Rocketship bright and early on Saturday. But come the evening, I headed back to Bergen Street for their Act-i-Vate party and presentation.

I'm a fan of the Act-i-Vate Comix Collective from back when I produced a segment on the site for a now defunct web series. For those not familiar with Act-i-Vate, the short version is they're a group of working artists who produce professional-grade serialized comics for free online. The presentation at Bergen Street showcased examples of the great work being done for the site, and I was surprised to see how much more sleek and functional the interface has gotten since I last checked in.

The presentation also included an announcement of the Act-i-Vate Primer, a hardback collection of new comics by Act-i-Vators, available exclusively in print (well, at least until two years go by, at which point they'll be put online. These guys just can't stop themselves from giving their work away!). Considering the Act-i-Vate stable includes such indie luminaries as Dean Haspiel, Roger Landridge and Dan Goldman, I imagine this collection will get a lot of attention when it hits the shelves this fall.

More pictures after the jump...


Bergen Street always has some great original art up on the walls. For the Act-i-Vate party, they hung up original inks, pencils and prints of the Act-i-Vators work.

Graphic novels by the Act-i-Vators were laid out on the center table. I ended up buying 08, illustrated by Dan Goldman, who is responsible for my favorite Act-i-Vate comic, the insane and extremely NSFW Kelly.



Everyone likes balloons.

A slide from the presentation of some of the pre-launch teaser material.

So if after all this, you're thinking about going to check out the site, here are few notes from the presentation about some of the comics on Act-i-Vate, if you need a place to start:

Panorama: "Nauseating, in a good way."
Ultra Boy: "Grusome, macabre, and fun."
Underwire: "It's for chicks!"
Fut Miso: The mini-comic at the bottom of this page was described as "The best thing on the site".
The End is Here: "I started with a daily strip about penguins way before all those movies came out." Described as the saddest comic ever. I just read it, and yeah, it goes from cute to soul-crushingly bleak in about one page. Hardcore anti-war sentiment.
Pecan Sandy: "It's Nick's reaction to Drawn & Quarterly."

Fun Fact:
Warren Ellis paid the $25 activation fee for the original Act-i-Vate domain name. "The Act-i-Vators could only come up with nineteen."

For yet more FCBD and Act-i-Vate party photos, check out our Flickr.

Snap Judgements: Brawl #1, Batman Confidential #10, New Avengers #35, Simon Dark #1

As always, Geekanerd brings you Snap Judgements: short, spoiler-free, and... I forgot the other S...

Brawl #1 (of 3)
Gets an A from AHR
I already read both the stories contained in this comic on Act-i-Vate, an online comix collective where creators put up their comics page by page, as they finish them. It's awesome. But I got this print version because Immortal is the sort of story that should really be read in a suitably moody location, say, an empty beach or a end-of-the-line bus station. Dean Haspiel has created a truly memorable character in Billy Dogma, a hard man with a heart of gold who inhabits a stylized world of crazy love and sexy absurdism. The high romanticism and abrupt action creates a mood you can sink into like a waking dream. Cut into pieces for this three issue series, the first chunk of Immortal is over all to soon, and it would have been nice to sustain the mood by releasing the story as a one-shot. But then we'd be missing out on the second story, Mike Fifee's Panorama, a gritty, surreal noir rendered in splattery black and white that really benefits from the transfer to good old fashioned scratchy paper. I enjoyed Fiffe's story more the second time around, particularly the inner monologue narration which, in contrast to pulp patter of Immortal, ticks along to a realist beat even as the hero's flesh drips off his face and takes on a mind of it's own.

Another Brawl opinion after the jump, plus Judgments for Batman Confidential #10, New Avengers #35 and Simon Dark #1

Brawl gets a C from Albo
I hate being a negative Nancy, but Immortal made no damn sense. I liked alot of the individual panels, but the storytelling was so scattershot I honestly thought maybe they printed the pages out of order. Panorama shared this tendency a bit, but by the end I was with it and really enjoying the bizarre reality Fiffe had crafted. All told, from my POV you would be wise to stick with the free online version. (side note: The clerk at Midtown very politely asked me why I was buying this book. I've never been asked that before. I suspect he had already read it.)

Batman Confidential #10
Gets an A from AHR
I'd like to say that Confidential scribe Michael Green is currently writing one of the best takes on the Joker I've ever read. But I can't, because the character that Green has been writing is the man who existed before mutating into the mass murdering clown we all know and love. This allows Green to sidestep the "unreliable narrator" problem common in writing the Joker - because the character doesn't take the literal plunge into craziness 'till close to the end of this issue, Green has this Man Who Would Be Joker tell his own story without having to interrupt the thought process with non sequiturs and jokes just to stay in character. Green makes the most of this lucidity, demonstrating a Frank Millerian ability to offer insight into action sequences with present-tense narration, while maintaining a sense of chaos and violence. Denys Cowan's art continues to impress, although neither he nor Green manage to make the fully realized Joker as disturbing as the awesome cover might have lead readers to expect. But we've got two more issues to see how they handle the J-Man in his all his psychotic glory, and I for one expect great things.

New Avengers #35
Gets an A- from Albo
The minus in my score is solely because the image from the cover has nothing to do with the contents of this issue. Last ish ended with a big symbiote invasion, then we see this cover and of course we flip: It's goddamn Venom Wolverine! Well, instead of telling that story, this issue flashes back a few months and tells the tale of the Red Hood gathering a bunch of D-rate villains (seriously, I know some Marvel mythos and I recognize maybe two of these guys) together and organizing them into a new crime syndicate. And it's awesome. Bendis' common sense originality (as in, "duh, how come no villain's ever done ____ before") shines, his dialogue snaps, his pacing... I'm out of flashy verbs, but it's good. This is the centerpiece book of the Marvel Multiverse, the only place where shit is really going down. If you care at all: buy it.

Simon Dark #1
Gets an A from Albo
Gotham City has a new protector, and he's... different. 30 Days of Night creator Steve Niles writes this book about a guy who doesn't really know who he is, but protects the innocent by decapitating suckas with a wire. He's also homeless, begging for money from those he saves so he can buy some food. He is the anti Bruce Wayne. He's apparently been prowling this little outskirt of Gotham for a while, and the people seem to love him even though he doesn't want much to do with them. Not out of contempt (he's actually quite sweet), but some teensy social phobias. I really hope The Bat ignores the headless corpses, because he would kick Simon's ass. And I like Simon. A lot. It's original, moody, and I can't wait to see where it goes.

Snap Judgments - Batman Confidential #9, Parade (With Fireworks) #1, Welcome To Tranquility #10

Geekanerd's Snap Judgments gives you Triple-S comic reviews: short, sweet, and spoiler-free.

O What Fools These Heroes Be - Batman Confidential #9

Another great issue in this Joker-origin arc by Heroes producer/writer Michael Green. The parallels to Christopher Nolan's movie Batverse continue as B-man visits Prof. Jonathan Crane in his pre-Scarecrow days, just so Crane can give him the classic "there's evil in this world" speech. Green's writing for the Pre-Joker is at top form here - without the overarching koo-koo crazyness that many Bat-authors tend to let the Joker run on, Green's Not-Yet-The-Joker comes off as the smartest guy in the room, a little bored with how simple everything is, and only interested in his new best friend, Batman.

Artist Denys Cowan plays a little fast and loose with character's faces, occasionally venturing a bit too far into Quasimodo territory for my tastes, but for the most part his compositions match the wit and grit of the writing. One particular scene that finds a character examining his new battle scars made me think I shouldn't leave this book lying around my apartment, lest someone flip it open to wrong page and be permanently scared off comic books.

Wit + Grit + Fun With Disfigurement - Drifting Face Planes = B+

The reviews roll on with Parade With Fireworks #1 and Welcome To Tranquility #10...

Don't Reign On My Parade - Parade (With Fireworks) #1

A few months ago, I had occasion to interview several members of Act-i-Vate, an online collective of writer-artists who produce serialized web comics for free public consumption. I asked the gang what Act-i-Vate comic they were currently most enjoying, and the title that came up again and again was Parade With Fireworks. No longer confined to the web, Parade With Fireworks is now available as a two-issue miniseries from Image.

You can immediately see what makes this a comic artist's kinda comic. The art is lush, with fluid line work and what seems like an effortless sense of movement. The issue's highlight is the opening prologue, which spans decades in a few deft pages, each panel boldly conveying an iconic moment in time. The body of the story is more subtle. Set in 1923 Italy, author Mike Cavallaro uses a parade in a small town as a microcosm for looking at the clash between the Communist and Fascist parties. Those not up on your 20th century Italian history (I found Wikipedia helpful) may find the significance of the events a bit hard to grasp, but the art is masterful enough to convey what counts.

Outstanding Art + Great Prologue + Political Unrest = A-

Check In Time - Welcome To Tranquility #10

Ten issues into this series by Gail Simone, I've noticed a trend. When an issue centers around a character and their backstory, it's golden. After all, this is a series about retired superheroes and their families - everyone has got loads of exciting history, and learning it slowly through era-stylized flashbacks is one of this book's most unique and appealing features. But when the book focuses on the events of the present-day plot, things tend to lag. The plots themselves are interesting, but with so many characters to keep track of, a present-day issue has the feel of checking in on a bunch of different locations, and just getting enough information from each group of characters to keep the story straight.

But no matter, this issue is worth buying for the back-up "Tranquili-Teens" story, which comes in the form of an awesome Scooby-Doo parody, and includes the canine exclamation, "Oh my bones and foodbowls!". I can't stay mad at a book after a line like that.

Mystic Exposition - Killing Time With Zombies + Bones and Foodbowls = B-