Geekanerd brings you the week's most notable comic book panels. Spoiler Alert for those who haven't read their books yet.
Wackiest Plan - Metal Men #2
That's what I call teamwork! If saving the day demands you pop a giant balloon monster, you might as well do it with style.
Biggest Fake-Out - The Incredible Hulk #110
Oh Noes! The Incredibly Angry Hulk just killed his teenaged pal Amadeus! And an adorable puppy! Look, you can even see the blade of the big Final Fantasy sword poking out the back of the kid's jacket, hewn fibers and all! C'mon everyone, let's start a letter-writing campaign, this level of Hulk-on-Puppy violence is unacceptable...*turns the page*....oh. Never mind.
No Comment Award - Countdown #34
Okay, this time I really have no comment. Except: Poor Piper.
Most Severe Beatdown - King Karateka, Lucha Libre #1
When a book stars five dudes who model themselves after the heroes of Mexican "free wrestling", you know you're going to see some good fights. There are plenty of awesome moves being perpetrated against these werewolves, but the start of the fight is King Karaterka, the guy in white. Look at those holds! That can't be legal! And this certainly must be against regulations...
Best Spin On A Classic - Metal Men #2
Duncan Rouleau is doing wonderful things with the art in the new Metal Men series. The first two issues have featured a retro-futuristic feel, as seen here in his interpretation of a classic "evil lair on a hill". Nothing like making an old favorite feel new again.
Best and Worst Actor Award - Night Thrasher and Tempest, New Warriors #4
Here are two great examples of character's reacting to another character's death - one is effective, the other, not so much.
Artist Paco Medina manages to nail shock and horror using only Night Thrasher's eyes, but Tempest, well...that's more of an "Aww, man!" or "What the F, you guys?!" face than a "NoOOOoOOo" face. To be fair, I'm sure it's hard to draw a good "NooOOoOO" face. You don't see many of them in real life. Unless you have a really intense life.
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