Tuesday, October 27, 2009

Panel Discussion: Scans from Beasts of Burden, Thunderbolts, Spider-Woman, and More

Cute Overload - Beasts of Burden #2
This book is actually dark and sad and terrifying, but come on, CUTE DOGGIES! The really remarkable aspect of this sequence, in which neighborhood dogs bug our animal heroes with a bunch of frivolous cases, is how Jill Thompson's dog drawings perfectly evoke the personalities Evan Dorkin has written for them in just one panel. We've got the thuggish bull terrier, the dopey briard, the gossipy Pomeranians, and the paranoid Chihuahuas. Anthropomorphizing animals never seemed so true to life.

Pretty girls, crazy supervillians, and cop abuse, after the jump...


Excessive Force - Azrael #1



Gotham is just a mess since Batman died. Robin is slicing faces off with a hacksaw, and Azrael is beating the living crap out of a room full of cops! This isn't even the old crazy Azrael, it's some new perfectly sane guy who just happens to be down with kicking cops in the nuts and punching their noses into their brains.
This scene makes it all better.


Fun with Montage - Power Girl #6
Why are trips to Ikea always fun? Actually sometimes they're horrible and boring, but I've definitely had trips much like the ones experienced here by Power Girl and her galpal whatshername. Amanda Connor continues to turn out the most lighthearted yet densely communicative art on the stands today. I love all the Swedized words - it took me a while to get "tasty rolls" from "tejsti rohls". What is the name of the store, "Aidja", supposed to be?


Best Visual Metaphor - Thunderbolts 137
This panel completely sums up Norman Osbourne's role in Dark Reign. Sitting on his Green Goblin glider (why not?), setting up dominoes, boozing it up. He's completely given up any pretense of pretending to be sane around his underlings. It's kind of classy, somehow.

Photo Reference Done Right - Spider-Woman #2
I don't understand why some comic fans get upset about photo referencing. The model in this case, Jolynn Carpenter, is actually credited at the head of the book along with the writer and artist. I've never seen this done before, but it's a good idea. If you're going to have someone "playing" a comic character, they should get a credit. These panels are beautiful, thanks both to Carpenter being really gorgeous and to artist Alex Maleev's beautiful colors and shadow effects. There's also some very subtle compositional touches that link the panels together - check out how the outline of her shoulder in the top panels becomes the edge of a shadow in the second panel.

No comments: