Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts

Tuesday, October 27, 2009

Panel Discussion: Scans from Beasts of Burden, Thunderbolts, Spider-Woman, and More

Cute Overload - Beasts of Burden #2
This book is actually dark and sad and terrifying, but come on, CUTE DOGGIES! The really remarkable aspect of this sequence, in which neighborhood dogs bug our animal heroes with a bunch of frivolous cases, is how Jill Thompson's dog drawings perfectly evoke the personalities Evan Dorkin has written for them in just one panel. We've got the thuggish bull terrier, the dopey briard, the gossipy Pomeranians, and the paranoid Chihuahuas. Anthropomorphizing animals never seemed so true to life.

Pretty girls, crazy supervillians, and cop abuse, after the jump...


Excessive Force - Azrael #1



Gotham is just a mess since Batman died. Robin is slicing faces off with a hacksaw, and Azrael is beating the living crap out of a room full of cops! This isn't even the old crazy Azrael, it's some new perfectly sane guy who just happens to be down with kicking cops in the nuts and punching their noses into their brains.
This scene makes it all better.


Fun with Montage - Power Girl #6
Why are trips to Ikea always fun? Actually sometimes they're horrible and boring, but I've definitely had trips much like the ones experienced here by Power Girl and her galpal whatshername. Amanda Connor continues to turn out the most lighthearted yet densely communicative art on the stands today. I love all the Swedized words - it took me a while to get "tasty rolls" from "tejsti rohls". What is the name of the store, "Aidja", supposed to be?


Best Visual Metaphor - Thunderbolts 137
This panel completely sums up Norman Osbourne's role in Dark Reign. Sitting on his Green Goblin glider (why not?), setting up dominoes, boozing it up. He's completely given up any pretense of pretending to be sane around his underlings. It's kind of classy, somehow.

Photo Reference Done Right - Spider-Woman #2
I don't understand why some comic fans get upset about photo referencing. The model in this case, Jolynn Carpenter, is actually credited at the head of the book along with the writer and artist. I've never seen this done before, but it's a good idea. If you're going to have someone "playing" a comic character, they should get a credit. These panels are beautiful, thanks both to Carpenter being really gorgeous and to artist Alex Maleev's beautiful colors and shadow effects. There's also some very subtle compositional touches that link the panels together - check out how the outline of her shoulder in the top panels becomes the edge of a shadow in the second panel.

Tuesday, September 15, 2009

Panel Discussion: Scans from Secret Six, Red Robin, Dark Reign: The List, and More!

Every week (usually) we at Geekanerd rip panels from our comics and put them on display here, recognizing the best, worst, and weirdest moments of the week. Click for higher res.

Oh Hell No - Thunderbolts #135

Crazy unbelievable things happen all the time in comics, and this is how things should be. But every now and then there's a panel or two that just makes you go, "Oh hell no." These panels are fine examples. Lightsabers deflecting laser blasts, that I buy. Little metal bracelets attached to superhuman arms deflecting bullets, okay. But a thin metal blade deflecting a hail of near point-blank gun fire? You pushed me too far, comics. I just don't see it happening.

Best Punchline - Secret Six #13

So maybe this joke is actually not any funnier than any other bit in a Gail Simone book (it's a high bar), but the rarely used "PUNCHLINE SPOTLIGHT" really brings it home. If this were a cartoon, there'd be a wacky musical stinger and all the other Sixers would yell "waaaughh!" and fall down. This is why there should be a Secret Six cartoon. I will fund it.


Worst Peer Counseling - Red Robin #4

Regardless of whether or not Tim should be in therapy, Dick should not be suggesting it mid-fight as Tim throws a kick to his face. Tim is not likely to be receptive, and it's not going to defuse the the tension at that particular moment.

Most Unintentionally Hilarious Panel - Political Power - Barack Obama
But does young Barry Obama actually smoke that gigantic blunt? We'll never know, because this is the end of that scene. Either way, that picture of the beatifically young and innocent Mr. Obama with a huge joint in his face is totally awesome.

Best POV Shot- Secret Six #13
In case you ever wondered what it would be like to be Deadshot, here you go! Bursts of light, dead people, and bullet casings, in that order.

This one-panel sequence is just a idle daydream, but it's worth noting that in Deadshot's rebellion fantasy he kills his teammate Ragdoll along with his employers. Is that really necessary? I understand wanting to make a clean break of things, but Ragdoll tends to just go with the flow; I'm inclined to believe if Floyd decided to revolt against his employers (which I suspect he will by next issue), Ragdoll would switch sides just as easily - he's not much of a threat on his own anyway. I think the choice to include Ragdoll in the carnage is a way to indicating Floyd's distaste for the mission, and anyone who'd go along with it, despite how he himself has rationalized it.

Nitpick Alert - Red Robin #4
It's great that Tim hearts the troops, but I think he may be selling himself just a leeeettlle bit short here. This kid has taken on trained ninjas from the League of Shadows, not to mention all manner of alien/demon things during his Teen Titan adventures. I think he can handle a trio of soldiers.

Achievement in Rudeness - Dark Reign: The List #1

Context: Hawkeye (or Ronin or Clint or whatever) wants to pull a CIA style assassination on Norman Osbourne, cause why not!
DAMN! This is why people hate superheroes in your universe, Ms. Marvel. They're so damn superior! Can you please give whatshisname a real answer about why it's not okay to just kill Norman Osbourne? At least pull out the old "because we're better than that" or "it's a slippery slope" or "at what cost" or "who's next?". Don't just pick at your gloved fingernails and look at him like he just peed on the carpet. This is why I only read Marvel books for the villains.

Best Detail - Secret Six #13
Look, I know there are multiple scratches on the walls in Scandal's bedroom. She wears huge knives on her hands, it'll happen. I get that. But I just feel that it would be remiss not to point out that the wall above the headboard of her bed appears to be splintering apart. I appreciate that.

Saturday, September 05, 2009

The 10 Least Practical Superpowers

Who among us hasn't, at some point in their life, tried to bargain for super powers with whatever higher power they prefer. God, god, Allah, Vishnu, Xenu, Rama Kushna, a young George Lucas; you name it, some geek has prayed to it. Come on, don't act like I'm the crazy one here. And in the course of said bargaining, we've all come to the point where we say, "I don't need to be Superman-just give me ONE power!" Well, this post is dedicated to whichever lucky nerd out there gets his or her prayers answered... You don't want to be caught unawares and end up with some stinker of a power all because you were caught in the sway of its superficial coolness.

To that end, this list is, BY NO MEANS, a list of "lame" super powers. In fact, these might be some of the coolest superpowers out there. BUT, I'm judging these powers' practicality based on one's ability to immediately go out there and start "making a difference." How useful would any of these powers be when fighting actual crime, or helping actual people? Because, were any self-respecting geek lucky enough to be granted a super power, he or she is gonna run straight home, drape a bath towel over his or her shoulders, and dive straight into action! Would we have any other choice? Years of black and white comic book morality have left us emotionally crippled-I don't think we'd even be able to think of any other use for a super power. Anyway, read on to be sure you're any actual use to human kind once you've been chosen to defend it.

10: Flight

Though probably the most practical in a real world setting-who wouldn't jump at the chance to fly like the eagle and be forever exempt from layovers in Denver-flight, however, is not a great solo power in the world of costumed crime fighting. It would make for easy getaways, and I guess you could scout ahead; but what would you actually do to fight crime? Drop rocks? Hock a loogie? And you'd probably be as easy to hit as a low level duck in Duck Hunt [insert sound effect of that evil 8-bit dog laughter]. And imagine being in a super hero team fighting some sort of sinister alien menace or cybernetic demon... all your buddies will be in the fray while you flutter around and watch helplessly, hoping that you don't get swatted by a stray piece of urban demolition. There's a reason this power is always a compliment, and rarely the sole power... just look at the lamest character on Heroes (and that's saying something), Nathan Petrelli.

*UPDATE* To address the dissenters who argue that this power would be useful in a fight, I ask this: who says you can suddenly pick up people willy nilly just cause you can fly? You don't have super strength; so unless you are currently strong enough to lift a 200 lb. mugger with ease, I don't know why you think you could do it while hovering a few feet off the ground. Yes, you could probably save children and particularly light damsels in distress... otherwise, good luck trying to lift that flailing-with-a-knife lunatic outside the 7-11.

9: Invisibility
The second half of the classic philosophical dilemma: invisibility or flight? (obviously flight) Invisibility is another one of those powers that has a plethora of real world applications (almost all sinister) but isn't much good in the crime fighting department. Sure, you could spy on potential wrong-doers, but you couldn't do a lot more unless you back it up with some crazy karate skills or something. Upon closer speculation, it gets even grimmer. Best case scenario-you can turn your clothes invisible and you're stuck holding your breath and tiptoeing around killers and creeps.... worse case scenario, you're stuck covering your junk, and hoping no one bumps into your translucent, naked ass. Also, you're pretty limited to warmer climes.

8: Talking to Sea Animals
(or any animals really)


I feel bad about this one. Aquaman already catches enough crap from people who don't respect the King of the Sea... but really, talking to sea animals isn't gonna do you much good. The comics have us believe that there is an abundance of giant squid and blue whales; but really you'd be spending most of your time chatting with tuna and scad. And unless you're battling Somali pirates, the vast majority of crime takes place on land. And even if you could chat with land animals, in actuality you'd be mostly talking to the bottom of the food chain. Its not like there are bears and lions casually patrolling the streets waiting for your commands. Hope you know how to work with squirrels and pigeons, buddy.

7: Uncontrollable Monster Form

This one's kind of a "no duh" case; but it's still a common enough power that needs to be addressed. Sure, as a rampaging beast of a man, you could probably stop a whole lotta crime. You could also accidentally level a city street, squash a few misunderstanding cops, and kill your loved ones with an overzealous hug. If you were able to maintain your own consciousness, then obviously this one would be a winner. But if you give up control to the reptilian parts of your brain, then your alter ego is bound to be more of a villain than a hero. Also, the replacement wardrobe costs would bankrupt you.

6: Super Senses

Unless they're backed up by Daredevil's radar sense, super senses make you little more than a super stalker. You can listen to people have sex a mile away and try to check out some girl's butt (of course all you'll see are bones), but you really can't do much to fight crime. I suppose you could be some sort of Super Snitch, just listening to people plan crimes; but you'll probably spend most of your life sucking down aspirin for all the super migraines.

5: Any sort of Power Blasts
(laser eyes, laser fists, etc)


We have now exited the useless-in-the-field portion of the list, and entered the walking-death-factory stretch of the list.
Power blasts are cool, and really useful when fighting robots and other invulnerable super beings; BUT not so great when fighting your standard crime. We all know that a stray blast from Cyclops' eyes can demolish a steel and concrete wall. Well, imagine that same blast making contact with the fragile, waterballoon-stuffed-with-organs that is your typical bank robber: Boom! People confetti. So unless you're looking to haphazardly explode people like so many cut scenes from District 9, Power Blasts won't get you much further than a jail cell (specially designed to hold you of course).

4: Sonic Scream

Another power that is great on 3-color-printed paper, but not so much in practice is the popular Sonic Scream-which has been relegated almost solely to female characters for some offensive reason I'm sure. However, it's hard to imagine any situation where this power doesn't just burst everyones' ear drums within a 5 block radius. Unless you plan on handing out ear plugs to all potential victims before any crime occurs, you're going to spend most of your costumed career being scorned for deafening an entire populace for a few purse snatchers and a car jacker.

3: Pyrokinesis/Self-Combustion
(e.g. The Human Torch)


Fire's totally awesome! And the thought of being enveloped in living flame while being unscathed is equally awesome. Plus, you can fly! Bonus awesome! Too bad you'll be responsible for the burn ward overflow at all the area hospitals. You probably couldn't even get close to anyone, victim or aggressor, without melting flesh from bones. Extra minus: do you know any super smart, stretchy guys who can manufacture your clothing from unstable molecules? No? Well, then you'll have to find someplace warm and private every time you "flame off," cause you'll be spending alot of time naked... and alot of money replacing charred jeans.

2: Adamantium Claws

This might be one of the most popular of all time... naturally thanks to one of the arguably baddest assest superheroes of all time. But let's be honest, the claws aren't what makes the mutant; it's his healing factor. That's why Wolverine is the workhorse of the X-Men, the claws are just the garnish. Also, when not coupled with a healing factor, they can be more trouble than they're worth (as this video clearly demonstrates). Even if we can ignore the massive amounts of personal blood loss, you basically just have 6 deadly knives attached to your hands. You can go out, right now, and try to fight crime with a knife in both hands, and you're practically there... and there wouldn't be too good. You're either eviscerating muggers and landing in jail, or you're just gonna get shot. Either way, the style points don't make up for the all the blood loss and severed digits.

1: Trust Fund and Anger Issues

This last one isn't so much a power, as it is a successful formula for superhero makings. It works great in the comics! Bruce Wayne, Tony Stark, Oliver Queen, Ted Kord, Danny Rand, whatever Moon Knight's name is (I won't even bother looking it up)... all turned out great thanks to their money and various emotional problems! Why is this not a practical "power"? Because it actually exists! And we don't have a single super hero! You're telling me, out of all the thousands of spoiled rich kids with rage issues, not a one of them bothered to dedicate their life and wealth to fighting crime? This isn't a formula for nigh-invincible, robot armor; so much as it is a recipe for date rape. Wealth and emotional problems are wasted on the rich and emotionally disturbed.

So that's my list of impractical super powers. I look forward to any arguments you may pose... as I'm sure you're all straining your brains to think of practical crime-fighting applications for these stinkers. Either way, when you do get that one wish from a genie, make sure you think long and hard about the power you choose. May I suggest super speed or a green lantern ring?

Monday, July 13, 2009

Panel Discussion: Scans from Wednesday Comics, Batman, Dark X-Men, and More

The Magic of Comics - Wednesday Comics This could be a silk screen print hanging on a gallery wall of a pop art exhibit. It looks unlike anything you expect to see in most mainstream superhero comics because it's extremely flat, the birds in the backgrounds almost just look like stamps or stencils, and yet there's a fantastic sense of dynamism. It gives up the illusion of movement and instead just gives us a single moment frozen in time. Kyle Baker rules.


Simile of the Week - Batman #688
For those of you who don't have amazing eyesight and don't want to click to enlarge, Dick is comparing wearing Batman's cape to "wearing a ball gown made of Kevlar". Judd Winick, every now and then you really come through. Dick's complaint is certainly valid, but how can anyone pass up a chance for effects like this?

Achievement in Character Design - Wednesday Comics
Karl Kerschl is pretty much my favorite comic artist working today. Here, he gives us Iris West in the classic newspaper comic style that inspired Wednesday Comics in the first place. The result is a strikingly beautiful character design that is on one level an homage to an older time, but the clean lines and quality of expression is timeless.
Even though Iris is emoting Roy Lichtenstein-esque pangs of lovesickness, Kerschl brings a gravity that keeps it away from camp, and allows these panels a sort of unironic dignity that really caught me by surprise.

Fun with Lighting - Dark X-Men #1
Maybe I'm reading too much into this, but to me this looks like a photo that was taken with almost no light, so the exposure had to be cranked way up. This would make the dark stuff visible, but the bright spots, such as the monitors, would be crazy blown out. Taking this image into that level of realism makes the freaky character design of Evil Beast all the more creepy.

Best Head Trip - Wednesday Comics
Ben Caldwell takes a simple concept (Wonder Woman suddenly finds herself in "the land of men" for the first time, with no idea how she got there), and makes it extremely trippy by ramping up the fish-out-of-water feeling by making our world seem as bizarre as any alien world seen in comics. The neon gaslight colors of this night cityscape make the whole thing seem like a terrible dream....and check out that Shreck building - is this taking place in the Tim Burtonverse?! Crazy!
Even something as familiar as a pigeon looks like a horrible alien when viewed through the eyes of someone who's never seen one before. Still kinda cute though.

Best Running Gag - Ms Marvel #40
Deadpool isn't even IN this panel, but his inner-panel-voice is still doing the editor's job of catching readers up on references to past issues. He does it a few time in the first part of the book, and you know when Deadpool does something more than once he's setting you up for an awesome joke...
Boom! Goodnight, everybody!

Monday, June 15, 2009

Panel Discussion: Sad Batfamily Edition!

This week's Fun Sized panel discussion features some scans that underline how sad everyone in Gotham is now that Batman is dead. Enjoy!

Splash Panel of the Week - Batman #687
Isn't this the saddest thing you ever did see! Of course we all know that neither Jason Todd OR Bruce Wayne are really dead. But outside of the larger DCU context, this image brings to mind an empty batcave, housing only the sad remains of the once unstoppable duo. And no one wants to see that.


Best Use of A Repeated Panel - Batman #687
Here we see the repeated-panel technique as a way to convey numbness, or shock. Great facial expression work here by Ed Benes. Alfred really hasn't gotten enough page-time to react to the death of Bruce, but this really says it all.


Burn of the Week
- Red Robin #1
Bit of clarification here; That's Dick in the Batsuit, holding Tim in the orange shirt who just hit Damian in the Robin suit. Tim is mad because Damian is the new Robin and Tim is the new nothing! And Damian, who has the cruel insight of his father with none of the self-control, totally calls Tim on having nothing left to live for. And he's right! Tim, your life sucks!

This is really just a prelude to an upcoming Gnerd article that proves Tim Drake has the worst track record in the DCU when it comes to losing loved ones, and how it's a miracle he hasn't become the sort of villain that would make Jason Todd look like Jimmy Olsen. Stay tuned.

Tuesday, June 02, 2009

Panel Discussion: Scans from Teen Titans #71, Ink #1, and Batman in Barcelona #1

Beatdown(s) of the Week/Burn of the Week - Ravager vs Wonder Girl and Bombshell, Teen Titans #71

Ravager is back at Titans Tower, and this time she's not taking any shit!

First of all we see a rare example of an EMOTIONAL beatdown...

BOOM! Guilt trip in yo FACE, Cassie! Who's the villain now, hmm?

Later on, Ravager manages to depower the treacherous Bombshell, and face kicking ensues!

Oh snap! Apparently depowering works on Amazonian Girl Gods too (???)! But nah, she ain't even worth it, so Rose just says "Tool" and walks out on those tools.

That, to borrow a word from the internet, is called OWNAGE.


The Ol' Alter-Ego Blues - Batman in Barcelona: Dragon's Knight #1
The Alter-Ego Blues is a phenomenon costumed heroes experience when people call their civilian-personas out for being lazy, irresponsible and generally uncaring. IRONYYY! But as far as I know, no one has EVER had the nerve to admonish Bruce by asking, "Would your parents be proud?" It is a GOOD THING this conversation was being held over the phone, because in Bruce's little "..." pause bubble, I imagine his face went from neutral to near-murderous psychopath with alarming distinction.

The Magic of Comics - Ink #1
Ink is by far the best Final Crisis: Aftermath book I've read, and it's made me an instant fan of penciller Fabrizio Fiorentino and colorist Michael DiMotta. These page compositions are fantastic; look at the balance in theses two ultra-widescreen panels. In the top panel, no space is wasted as the Tattooed Man conjures up a barbed wire panel, and in the panel below, that space is used to show the distance the wire has to travel, as well as the tension of how hard TM is pulling to knock one of the thugs right off their feet. The very subtle splash of blood on the thug's leg is a painful reminder or exactly what's going on here.

Later on, a gang killing is played out in five panels on one page, and each one expresses an important dramatic beat; the stab of the knife. The surprise. The realization. The literal gravity of the situation, as the blood drops into frame and the victim drops his bag. The finality of death. This is an amazingly poignant death for a character who is so insignificant in the larger scheme of the book. Take another look at his hands - the way they go from frozen in pain to limp is a sad and beautiful story all by itself.

20% Gratuity - Ms Marvel #39
Hey, 9-11. I see what you did there.

Best Use of a Repeated Panel - Ink #1
Just had to get another page from Ink in here. There are lots of great touches in this inventive and gory page, but the way hostage's look of frozen terror goes from part of the tension to sight gag is my favorite part.

Sunday, May 31, 2009

This is What Crazy Sounds Like: The Music of Batman


Batman's theme song. What's the first melody that comes to mind? I'd guess that most of the world's population would go with the pop culturally entrenched camp anthem of the 1970s: ba nananananana BATMAN!

But for those of a geekier stripe, there are other options. The classic minor ascent by Danny Elfman, or Shirley Walker's emotionally wrought variations on the theme. Aficionados of the Nolanverse might even be able to recall Hans Zimmer's two note motif from Batman Begins and The Dark Knight. If you're a child of the 90s you might even come up with Elliot Goldenthal's booming score from the Joel Schumacher films; it's a far, far more recognizable theme than the average nerd might care to admit.

My point is that many fine composers have taken a shot at scoring the most emotionally rich superhero of our time, The Batman. An overview of these attempts can be found on "The Music of Batman", an album recently released by Silva Screen Records that takes a cross-composer tour of Batman scores as performed by the Prague Philharmonic. After several listens, I've come up with a unifying therom of what characterizes a Batman score.

Individual looks at each composer's take on the Dark Knight, and my shocking conclusion, after the jump....



Danny Elfman (Batman, Batman Returns)
As the first composer tasked with creating a dark theme for the recently re-imagined Dark Knight, Elfman knocks it out of the park and sets a standard that all subsequent composers had to have taken into account. The Batman of Tim Burton's world is a cold, intensely violent vigilante, who has the distinction of being the only movieverse Batman to actively attempt to kill the villain. Accordingly, Elfman's theme is that of a madman. The classic five note theme arcs up like a sneer, only to descend into a minor resolve.

The theme eventually speeds the pace up to galloping march, a headstrong "going to war" theme that could easily place in the mind of a psychotic with delusions of grandeur. This is just barely a hero's theme; there is something cruel and dangerous lurking beneath the false nobility of the french horns and string sections.

Elliot Goldenthal (Batman Forever, Batman and Robin)
Say what you will about Schumacher's Batman movies, but Eliot Goldenthal's score is solid. Goldenthal had the unenviable task of evoking Elfman's iconic score without repeating it, as well as creating a new theme more suited to Joel Schumacher's dayglo comic-strip idea of what Batman is about.

Given these parameters, Goldenthal's theme (making only a modest showing on the disc with the "Batman and Robin Main Titles") is a success. The motif still arcs up and back down like Elfman's, but the feel is much more grandiose. This is still the music of an outcast hero, but one who embraces the pageantry of his crimefighting ways. Bold
Hans Zimmer and James Newton Howard (Batman Begins, The Dark Knight)
The fascinating thing about "Eptesicus", the lone track from Batman Begins, is that it introduces a theme not so much for Batman, but for Bruce Wayne. The first several minutes are pure sorrow, stuck in the sort of numb trance of grief that Bruce existed in before he realized his insane destiny. Only in the last 1/4 of the track does the music rise to the call of vengeance, ending in a fearsome resolve.

Then we get an idea of what Zimmer and Howard think Batman proper really sounds like, with "Aggressive Expansion" from The Dark Knight. The reoccuring "hero" motif is only a grim pulse of two notes, but it subtly captures both the menace and determination that defines Nolan's more realistic Batman. The track ends with a high tension "ticking time bomb" beat, which speaks more to the feel of the movie at large than the character of Batman, which is to say it is almost unbearably tense.

The CD also includes Shirley Walker's gorgeous hymnal reworking of the Elfman theme, Neal Hefti and Nelson Riddle's swingin' theme songs from the 1970s TV series and film, and even Christopher Drake's credits music for the direct-to-DVD Batman: Gotham Knight, which has lots of Elfmanesque flourishes and flat out repeats the first four notes of Goldenthalfs central motif.

The Unifying Factor

Every theme on this CD has one thing in common; repetition and momentum. I'm not talking about the simple repetition of a motif in a song; I'm talking about tightly looped musical phrases and that are pounded out over and over again. You hear it in underscore of Elfman's march, in the shrill, escalating string section of "Aggressive Expansion", and in the up and down waves of melories in Goldenthal's central melody line. These themes explore on the human ability to focus and keep going, no matter what. Even the campy 70s theme is fixed on a very distinct track, and I think this is because it's that sort of tunnel-vision stubbornness that defines Batman. Batman does not have the advantage of magic, alien technology, genetic anomalies or being born with the powers of a god. His only power is determination and mental sickness, and in these songs, we hear what righteous determination of a madman sounds like. Who could resist?

Tuesday, May 26, 2009

Panel Discussion: Scans from Fantastic Four: Dark Reign, Battle for the Cowl and Terror Inc

Warning: After the jump, the last panel of this post contains spoilers for the ending of Battle for the Cowl, ie who the new Batman is.

Worst Splash Panel - Terror Inc: Apocalypse Soon #2
The first series of Lapham's Terror Inc was great fun. But I am now realizing that a big part of what made this book cool and not ridiculous was the grimly realistic art by Patrick Zircher. Splash panels like the one above should have died in the 90s. The arc of the machine gun blast is like looking into another dimension where time and space have no meaning.

Reed Richards finally loses it, Batman is one cold sonofabitch, and Damian Wayne gets his bratty little way, after the jump...

Best Acting - Dark Reign: Fantastic Four #2
Here we see an alternate reality timeline in which Reed Richards, realizing that the formation of the Illuminati would lead to the current mess the Marvel U is in, decides to kill everyone to ensure the group is never formed. It worked! Here is what Reed's expression says to me: "I uh...okay. This - was this right? Yes. No. Yes. Hm. Oh boy. Ohhh boy. Hold it together Richards."

Clearest Example of Batman's Insanity - Battle for the Cowl #3
When making his video will, Batman thinks to himself; "I shall leave each of my adopted sons a special fatherly advise voicemail to cherish after I'm gone." So he records one for Tim and one for Dick, and then thinks to himself "Oh, Jason's alive now too, I guess I should record something for him. What would help him be less awful? I've got it - telling him he's the single biggest failure of my entire life will give him the motivational push he needs to start anew."

Batman, you should not be allowed around children or the mentally ill!

Also: note that at the end Bats says, "...but don't worry, I know this great doctor...." I like to think Bruce recorded this before the Black Casebook saga, and is in fact about to recommend his trusted physician Dr. Simon Hurt.

Banana Radomizer Award for Achievement in WTF - Battle for the Cowl #3
So the new Batman is Dick Grayson, and the new Robin is....DAMIAN WAYNE? Whaa? Um, Dick, I know you've been busy with your own career, but Damian is like, really, really evil. In fact you are actually the only member of the inner-circle Batfamily that he hasn't ALMOST SUCCEEDED in killing.

Look, he tries to kill Alfred earlier in this issue!

Um, Alfred, he'll do it.

First of all, why does Dick even NEED a Robin? He is a Robin. As Nightwing, he was both Batman...AND ROBIN. Teaming up with a homicidal tween seems like a step backwards in Dick's crime fighting career, and it's probably not good for his self-esteem either.

I also wonder what Tim is going to do with his nights, since he gave up being Robin to be Batman, and can now be neither. Oops! Guess you shouldn't have quit your Teen Titans dayjob, nerd!