Panel Discussion: Scans from Amazing Spider-Man, Locke & Key, Final Crisis, and More

Most Hope-Inspiring Panel - Amazing Spider-Man #583

Oh noes, two Obamas! But which one is real? Let's see; one reacts to Spider-Man with angry, closed-door political paranoia. The other reacts with calm, open-minded discourse. There's no mystery here; kick that partisan imposter to the curb, Spidey! WHOO! FOUR MORE YEARS!

Weirdness, sadness, dodginess, and more after the jump...


Least Respectful Death of a Character We've Known for 11 Issues - Young Liars #11
Good old whatsherface here has been a solid supporting character for the entire run of this series, and she gets her final dismissal in a small panel on a crowded page with no great final moment and not even a mention of her for the rest of the book. Lapham, how can we care about your characters when you don't?

Most Respectful Death of a Character We've Known For 11 Pages - Locke & Key: Head Games #1
This, on the other hand, is how you do it! This guy was introduced this issue, and by the end we know him and love him, and when it comes time for the series villain to kill him, he gets his heroic moment before he sinks into the abyss and reunites with his smokin' dead wife. It makes me wanna cry just looking at it again. Goddamn this book is good.


No Comment Award - Final Crisis #6
Er, that's Mary Marvel on top, for those of you not following the series. So...yeah.

Best Splash Page - Locke & Key: Head Games #1
Shakespeare never looked so good! Bonus points for anyone that can identify the play without cheating!

The Old Alter-Ego Blues Award - Amazing Spider-Man #583
This is a classic of superhero ironies; Spidey is out saving the world, misses a civilian appointment, irony ensues. For more examples, read our comprehensive article on the subject.

Best Scam - Invicible #58
Oh, those wiley shapeshifters. Poor bastard's not even gonna get a design credit.

Most Heartbreaking Screw Up - Captain Britain and MI-13 #9
The second time I may cry during this single Panel Discussion... Captain Britain and crew are fighting an entity that tempts you with your heart's desires, so when Brit is tangled up with him and sees his long lost wife Meggan, he of course assumes it's some sort of trick. But apparently the realm they're fighting in intersects with many others--including this terrifying Hell dimension that Meggan is trapped in and only briefly escaped. Oh God, it's like Baz Luhrmann's Romeo & Juliet all over again. Hold me.

Banana Randomizer Award for Achivement in WTF - Cleaners #2

Wow, just....wow. There is context for this, but I had to go back and read through the comic a few times to really understand it. So just enjoy this goretastic Tales From The Crypt-esque panel on it's own merits, such as they are.

Snap Judgments: Reviews for Crossed, Detective Comics, Final Crisis and More

Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST. Beware some potential spoilers.

Detective Comics #849 gets an A+ from Degan and an A from AHR
Man, Dini knows how to write a Batman story. Despite having the least to do with the "overall" (if there is one) R.I.P. story, this has been favorite of the bunch. Breathing life into a dull, manufactured character, Dini has not just made Hush tolerable, but actually intriguing. And Nguyen is quickly becoming one of my favorite current artists. To top it all off, the story ends with one of the most genuine "hows-he-gonna-get-outta-this-one" cliffhangers I've read in a while. -Degan

I continue to love this series. Hush's backstory gets more satisfying with every issue, and the extent to which this issue connects to long past issues in Dini's run of Detective is spellbinding. There's also a ridiculously cracked out Joker scene, even if it only amounts to a cameo. Teaser: Batman busts into Joker's cell at Arkham, pushes him on to the bed and handcuffs him to a pipe. I think I read a fanfic like that once. Um, just kidding? Sorry everyone, but they say context is for the weak. Anyway. This is a great issue in a great story, and it's going to make an even better trade. Can't wait for the conclusion. -AHR

Reviews for Pulp Tales, Crossed, Final Crisis Revelations, Green Arrow and Black Canary, Walking Dead and Young Liars after the jump...

Pulp Tales: Josh Medor Benefit Comic gets an A from Albo
Pulp adventure for those with short attention spans, this book is made up of five four-page standalone stories. And they are tasty little nuggets of pulpy goodness for sure. I want to read more from every one of these universes. The real crown jewel here, though (and the reason I picked the book up in the first place), is a short story by Steve Niles that has more meat than the others. Because while they say a picture is worth a thousand words, four pages of prose sure can pack in a lot more story than four pages of comics.

Green Arrow and Black Canary #13 gets an A- from Degan
This book has been one of my surprise favorites from the start. Each week I'm pleasantly surprised-and this issue is no exception. It does suffer from the usual cathartic first-issue-after-major-story-arc problems... but even then the catharsis was well deserved and well appreciated. Winick continues to make the bizarre arrow family humorously dysfunctional-and this issue even has an "I have HIV" moment that doesn't come off too very-special-episode.

Final Crisis Revelations #3 gets a B from Degan and a B from AHR
Like almost all of these Final Crisis books, I like this story-but it leaves me with no understanding of what's actually happening in the crisis. Like the other titles, this book seems to make reference to events from other titles... but for the life of me I don't know when and where they happened! And I've been reading every Final Crisis title! WTF?! To make matters worse, the art was downright confusing at times, leaving me to carefully analyze certain panels to understand what happened. Aside from all that (like that's not a big deal) I actually really like this story-the Spectre, the Question, Vandal Savage as Cain... pretty awesome story. Too bad there doesn't seem to be a bigger picture. -Degan

This book is loco! Speaking as one who ISN'T reading any other Final Crisis titles, I can just about understand what's going on, despite Rucka's best attempts to confuse me by loading the story up with scripture (both biblical and imagined) at every turn. But despite some mildly heavy-handed theologizing, for the most part this look at the nature of God's mercy through the eyes of a bunch of DC supes is genuinely interesting, and a little heart-wrenching if you were a fan of Gotham Central and the old MCU team. I can't imagine how this book ties into the DC universe at large, since it's basically suggesting the entire world except Montoya and three nun-killers have become scary anti-life demons, but continuity aside, it's heady apocalyptic fun. -AHR

The Man Who Loved Breasts gets a B from Albo
Three short comics from Robert Goodin, the first about a man in the 50s who was told to "do what he loves" so he becomes a custom brassiere maker. Things take a turn for the worse in the 60s, unfortunately. The second is about a guy trying to tactfully ask for amputee porn at a sperm bank, and the last is a conversation between a modern day geek and King Arthur. The last is a great little idea that I've pondered before--if I went back in time, I could tell all the people about all the wonderful things to come, but could I replicate them? Or even explain them? No way! As much as they'd love to hear about cars or gunpowder or antibiotics or radio, it would all be a bunch of talk. Goodin proves he's a skilled cartoonist and an excellent storyteller with this little book.

Walking Dead #53 gets a B from AHR
Wow, something actually happened in this book! I hate to be one of those fans who complains about the slower issues used to build dramatic tension but...I was really starting to get a little tired of the lonely adventures of Sick Depressed Man and Son. Here Rick meets up with old friends, and realizes a major decision he made in his self-proclaimed role as leader was majorly wrong. I've always felt a little antagonistic towards Rick; decent as he is, his alpha-maleness always seemed to come too easy. It's a great choice to take him out of his role as leader, if only for a little while.

Crossed #1 gets a C from Albo
Is there room for another zombie book on the shelves when Kirkman's Walking Dead is still so good? Moments of extreme shock value are the only thing that make this book stand out.

Young Liars #8 gets a D from Albo
I stood by you for eight issues, David Lapham, but I can't do a ninth. I still just don't care what happens to these people, due in no small part to the scattered storytelling style you've slapped on the book. Please go back to Stray Bullets!

Panel Discussion: Scans from Wolverine: Saudade, Welcome to Hoxford, Final Crisis and More

A Note on Blades - Wolverine: Saudade
There've been a lot of interpretations of Wolvie's claws over the years, some better than others, but I gotta say this one really works for me. They remind me of time before it was "revealed" that he has had bone claws since adolescence, or even before it was "revealed" that the claws were an unforseen byproduct of the adamantium lacing process. These finely crafted, downright designed sumbitches remind me of those glorious days when Wolverine was an unfortunate Canadian mutant who was made into a living weapon by mysterious people for a mysterious purpose. *Sigh* Those were the days. Let's see some more of these beauties.
Awesome! So dangerous!


Best Pop Culture Reference - Runaways/Avengers #1
Haw. She said a Harry Potter thing.

Best Deal With The Devil - Amazing Spider-Man #571
So apparently Spidey's deal with the devil that made everyone in the world forget his secret identity also made it impossible for anyone to use an ounce of brain matter to rediscover the fact. Norman Osborn, actual GENIUS, finds Peter Parker's camera set up to take pictures of Spider-Man to sell to the papers, and comes to the conclusion that Peter is just a front for Spidey's side career as a photographer. Gah!


Cute Overload - Welcome to Hoxford and Patsy Walker: Hellcat #3

This was a good week for mice in comics.

First up we got a li'l rattie who comes to speak to psychotic serial killer Raymond Delagdo in the voice of his dead mother. I love the cartoony silloutte in the third panel. Things don't end well for this rat, but at least he had his moment in the sun.

Meanwhile, in Hellcat, this truly adorable snow lemming shows up to guide our hero to...something, I didn't really read this issue, I just tuned in for this adorable ball of cuteitide.

I HAS A CAREER; IZ A BOUNCER. U FOLLO NAO, KTHXBYE.

I also can see the headlines now; "Area Cute Thing Bites a Thing, Is Chubalicious". "Chunktastic Mouser Seen Hanging In There, Baby".

Too Much Information - Wolverine: Saudade
Oh, man. That's just a bit more of Wolverine than I really was hoping to see today. But what the hey, the ladies seem to love it:

Scariest Panel - Welcome To Hoxford #2This is some serious nightmare shit, right here. The way that the monster is holding the woman's glance THROUGH the door is the scariest part. He knows where she is, and he's a' comin.

Whammy of the Week - Runaways/Avengers #1
Whoo doggies! That's how I like my power bolts; all Dragon Ball Z'ed out and in full technicolor, complete with a unique and persuasive sound effect. I also like to imagine what swear word she's screaming, especially in light of the All Star Batman & Robin fiasco.

Most Unpleasant Panels of the Week - Young Liars #8
I'm not going to try to explain to you what's happening here. Not because you won't understand it, but because I don't want to understand it.

Banana Randomizer Award for Achievement in WTF - Final Crisis: Revelations #2
Good lord; so if Batwoman had her own series, is this the sort of adventures she'd be having? I don't know if my sensory perceptions could take it. I can barely parse out what's going on in this one panel, let alone a whole book.

After very careful inspection, I count three guys, five submachine guns, a lot of debris, and I guess that's Croc at the bottom? Or possibly an actual crocodile? I think with more balanced coloring this might have been a coherent but still crazy splash page, but as it's a big black, red, and green blob.

Snap Judgments: Reviews for Young Liars, Captain Britain and MI13, Secret Invasion and More

Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.

There are probably some minor SPOILERS herein.

Captain Britain and MI13 #4 gets an A from Albo
My good friend Hunter told me last week that Captain Britain and MI13 was the best comic Marvel was currently publishing. Never one to turn down a strongly-worded recommendation, I bought all four issues of the series today and that old sumbitch might be right. It may just be because I'm getting so sick of Bendis' Secret Invasion books, and yet this series uses the mega event as its jumping off point and somehow manages to stay grounded enough to get some good character work done. This four issue intro just wrapped up, I can't wait to see where the book takes us in a post-Skrull universe (oh, did I mention? The British have already dealt with their Skrull invasion.)

Reviews for Young Liars #6, Welcome to Hoxford #1, Universal War One Book 2 and Secret Invasion #5 after the jump.

Young Liars #6 gets an A from Albo
Ah, David Lapham, how did I ever doubt you? Yeah, many of the issues of this series have been miserable reads, but you've really picked it up here. This issue and the last one are filled with some incredibly shocking scenes. In a storytelling medium where the biggest threat (*cough*World War Hulk*cough*Secret Invasion*cough*) can be handled with a fistfight and zero serious consequences, it's a real treat seeing main characters go through severe, non-reversible, life-changing shit. Like, uh... Beheading. Last issue was castration. Where can they go from here?

Welcome to Hoxford #1 gets a B from Albo
I didn't get too much out of this issue. It's certainly not bad, the art is suitably creepy for a Ben Templesmith horror book and the writing is solid, I think I just have to see where it's going to really decide if I like the world the book is set in. So I guess what I'm saying is, stay tuned. But hey, if you like dark stories about prisoners getting (SPOILER) eaten alive, jump right in!

Universal War One Book 2 gets a C from Albo
I'm probably being a bit too harsh on this one. As far as spacey sci-fi comics go, it's better than most. There's even something exotic about the whole package because it's a French import. But really, despite the good art and the above average panel to panel writing, the pacing of the whole shebang is really screwy. Add to that the fact that after two looong issues I'm still not sure what I'm really supposed to be caring about and you've got yourself a C book in Albo's... book. Though a planet getting cut in half is admittedly pretty darn cool.

Secret Invasion #5 gets a D from Albo
Every time I attend or watch online a Marvel panel at a comic convention, someone inevitably gets on the mic and asks the question: "Why do you guys keep doing these big events that nobody really likes?" And Marvel's answer is always the same: "You keep buying them." It's a very honest answer, but it's also kind of a slap in the face. We buy them because they've told us the event is the most important thing going on in the universe and we're afraid that if we don't follow the books we'll be out of the loop. I haven't liked Secret Invasion since issue one, but here I am telling you what I think about the latest issue I bought. But I swear to you, right here and now, I will not buy another issue of this series. Why? Because nothing happens. Nothing. We're still where we were at the end of issue one. The characters are so secondary to the whole thing that they might as well be G.I Joes or the Scooby Doo crew and it wouldn't affect the story. Full disclosure, I'm still going to read these things in the store. But I swear I will not contribute to "you keep buying them" any more.

Panel Discussion: Scans From Secret Invasion, Final Crisis, Young Liars, and More

Every week we at Geekanerd rip panels from our comics and put them on display here, recognizing the best, worst, and weirdest moments of the week. Beware some major SPOILERS.

Click the pics for high res goodness!

Skrull "Humanity" - Secret Invasion #3

Two separate scenes in this issue of Secret Invasion featured Skrulls who really didn't seem to be all that into the mission at hand. The first, above, appears to be some sort of priest or something, and he looks pretty distressed about old whatsherface getting a gun pointed at her.
The second is the Skrull S.H.I.E.L.D. agent in the lest of the above frame backing up Skrull Jarvis. He looks positively distraught about pointing a gun at Maria Hill. I like to think that during his time posing as a S.H.I.E.L.D. agent he grew a certain fondness for Ms. Hill. These two frames alone really make me want to see a "Frontlines" style story about the Invasion from the Skrull POV. I want to know what's going through these non-agressive Skrulls' heads. So c'mon--where's my Secret Invasion: Behind Enemy Lines?

Worst Dialogue - Green Arrow Black Canary #10
When in need of a snappy banter, steal from 300.

Clearest Example of Batman's Insanity - Final Crisis: Requiem #1
I think these panels speak for themselves, so I'll just comment on the great use of "Hnnn".

Best Custom Contract Job - Secret Invasion #3

I love that some team of lowly Skrull contractors were hired to design and construct this giant room that serves only one purpose: stretch Mr. Fantastic out so much he can't wiggle out.

Banana Randomizer Award for Achievement in WTF - Detective Comics #846
So, we knew that as a child, Hush cut the brakes on his parents car, killing his dad and almost killing his mom. What we did NOT know is that he based his whole bandaged-face supervillian costume on the memory of his hospitalized mother, who of course was hospitalized because of his unsuccessful murder attempt. That...that's messed up.

Most Horrific Villain - Young Liars #5
Just looking at this section of the book again to post it makes me a little squemish. This crazy little man ambushes these poor bastards during sexy time, removes our protagonist's "Mr. Johnson" (Lapham's phrase, not mine) and proceeds to do some really bad things to his companion. Thankfully they "cut to black" right after that unsightly unzipping panel, but the absence of illustration might actually just make it worse. There's a taste of satisfaction when the little bastard gets a toothbrush to the eye courtesy of his female victim, but he jumps out the window and gets away. Which just means he'll show up later, even more grotesque than before with an eyepatch and a taste for revenge. Shivers.

Snap Judgments: Reviews for Dead, She Said #2, Secret Invasion #3, Final Crisis: Requiem and More!

Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.

There are probably some minor SPOILERS herein.

Dead, She Said #2 gets an A from Albo
I'm so happy that the second issue of this series kept up everything I enjoyed about the first. Many detective stories will put their protagonist through a lot of pain before the story wraps up, systematically degrading the private dick's body and thus emphasizing their eventual triumph as a result of superior intellect and sheer force of will rather than brute strength. Steve Niles has decided to cut to the chase in this tale, where our lonely detective's body is actually decomposing rapidly due to a little condition called death. Everyone's complaints about the smell aren't keeping him from investigating his own murder, though. It's a really handsome book with fun storytelling, and I really can't recommend it enough to fans of detective stories or horror. Or giant ants (here's looking at you, Kingdom of the Crystal Skull lovers!).

Detective Comics #846 gets a B+ from AHR
Hush is back! *crickets* Oh well, some more details on his origin remind readers why they should care, and all in all this is as clever and satisfying an issue of 'Tec as I've come to expect from Dini.

Reviews for Detective Comics #846, Secret Invasion #3, Final Crisis Requiem, I Hate Giants #1, and Ultimate Origins #2 after the jump!

Young Liars #5 gets a B from Albo
It seems that Young Liars' "Curse of the Sucky Odd Numbered Issues" is finally over! After a miserable #1 and #3 (and a great #2 and #4), this issue came as a huge relief. I can't say it was perfect, since the story as a whole still has me pretty befuddled as to the whys and wherefores, but the scenes within this book were strong enough to make me overlook such vital silly points. It's pretty awesome that we're only in issue five and already there are some major consequences hitting this group of unlikeable protagonists. Oh yeah, that's a problem isn't it? I HATE these people. Even when I like this book I hate it. What's a fanboy to do?

Final Crisis: Requiem gets a C+ from AHR
Funny and sad character moments in the first half, but the second half is a dry, dry history lesson on Martian Manhunter. Big fans of the character might enjoy, I wouldn't know. I do know that DC should have bought the rights to use the brand "Oreo" for this final send off.

I Hate Giants #1 gets a C+ from AHR
High school nerd angst. And not very deep angst at that. Fun art saves it from the discard pile.

Secret Invasion #3 gets a C from Albo
Beautiful to look at, but nothing nothing nothing happens happens happens. Last issue ended with Nick Fury showing up to the fistfight with a big glock, and this issue shows him firing it. This issue ends with SPOILER Captain America and Thor showing up to the fistfight, and I bet next issue will show them punching things. Snorlax. But like I said, Leinil Francis Yu's art is, as always, something to behold.

Ultimate Origins #2 gets an F from Albo
F for who the F cares. F for why waste an Fing issue of your big Fing Ultimate event on a story (Captain America's origin) that we've all read a million Fing times. F for I have so many more bad things to say about this book but I've already wasted too much Fing time on it.

Snap Judgments: Reviews for Kick-Ass #3, Locke & Key #5, Wonder Woman #21 and Red Mass for Mars #1

Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.

Kick-Ass #3 gets an A from Albo
No really! I didn't like the second issue either! But I promise, this one picks the story back up in a big way. There are a lot of refreshing story bits that support the "real world" setting. For instance, after our hero's first successful outing as a vigilante he comes back to school acting like a total badass, showing his classmates a YouTube video of the dustup. He doesn't reveal that he is "Kick-Ass," but it's refreshing to see a teen superhero that doesn't keep acting like a dork and go to great pains to disassociate himself with his alter ego. I mean, what teenager actually HAS that kind of discipline? I don't think I'd even be able to keep my secret identity secret for a week. Anyway, the book's only OK for the first 15 pages or so, but the ending... I haven't audibly exclaimed in surprise at a comic in a long time, but the end of this issue is a real "holy shit" moment that adds a nice wrinkle to the world of Kick-Ass.

Reviews for Locke & Key #5, Young Liars #2, Red Mass for Mars #1 and Wonder Woman #21 after the jump!

Locke & Key #5 gets an A from Albo
If you're not already reading this book I pity you. You're missing out on one of the most consistently good reads on the shelves right now. And forget catching up, back issues of this are tough to find (though a couple of recent reprints do help). Joe Hill's storytelling is very fresh for the comic book world, and his characters are shockingly well developed after only five issues. Also, where many of these non-superhero books written by non comic book writers tend to work better in their collected format, Joe Hill shows a surprising adeptness at maximizing the monthly issue format. Every time you pick up the book you know you're going to get a complete experience, not just an arbitrary slice off the story's timeline.

Young Liars #4 gets a B from Albo
This book is killing me. I hated the first issue, loved the second, used the third as toilet paper... And now I like issue four. I don't like being in this limbo where I'm not sure if I like a book or not. Love it or hate it, I just want to know! Like the second issue, this one stays in one setting long enough for actual story progression to take place, rather than using the supremely confusing time-hopping format of what I shall henceforth call "The Odd Issues." It's a bit of the problem that none of the characters are likable in the least, but there's almost enough wild adventure to make up for it. So I guess I'll be back next month. *sigh*

Red Mass for Mars #1 gets a B from Albo and a C from AHR
AHR: Does anyone actually enjoy reading a character who can see the future? It's always so much smugness and "I know" jokes. I don't like it in Layla Miller and apparently I don't even like it from Jonathan Hickman, who had two major hits with me in Pax Romana and Transhuman. On the plus side there's a fun recap of the various ways that humankind will attempt to destroy itself in the next 100 years, and I enjoyed wannabe National Front superhero who uses his power to force English on the entire world. I'll probably stick with this series if just for tangents like these.

Albo: What is Jonathan Hickman's problem? Why does he feel the need to write so many books at once? Why doesn't the poor bastard take it easy? I feel like every time I pick up an Image comic there's an ad for a NEW Hickman book. What a crazy. Anyway, after having mixed feelings on the other two books of his I've read (wowed by Pax Romana, bored by Transhuman), I'm happy to say that this was a really enjoyable read. Hickman has a real knack for pulling extremely complex societies with rich histories and interesting power players out of thin air. Some bits I found distractingly unbelievable (the superhuman trying to destroy all languages but English), but as a whole I'm totally pumped to see where this goes.

Wonder Woman #21 gets a D from AHR
Wonder Woman meets Beowulf, much olde thyme englishe ensues. Even Gail Simone can't make me enjoy this armored-men-on-horses stuff. When I pick up a superhero comic, one of DC's "big three" no less, I want to see some superheroing.

Panel Discussion: Scans from Young Liars, Amazing Spider-Man

Every week we at Geekanerd rip panels from our comics and put them on display here, recognizing the best, worst, and weirdest moments of the week. Beware some SPOILERS!

Click the pics for high res goodness!

Beatdown of the Week - Young Liars #3
Little Sadie here apparently attended the Jason Bourne School of Resourceful Dustupping. Not only does she pull an IV out of her transsexual junkie friend and jam it in her attacker's eye....
...she then proceeds to squeeze the remaining contents of the IV bag into the guy's face! Holy crapsticks that is hardcore.

Hit the jump for the highs and lows of Amazing Spider-Man #559's art!

Art Worth Praising - Marcos Martin, Amazing Spider-Man #559
I praised Marcos Martin in my review of the book but I'm glad I get to do it with some visual reference now! You can see in this page how deceptively simple his linework is. It feels very spare and uncluttered, but really there is a high level of detail crammed into every inch. The panel-to-panel storytelling is especially great on this page. Martin tells a fun little story with all the details he's packing into Spidey's characterization: the subtle wringing of hands behind the back as he worries about being seen as a psycho, the contemplative hand on the chin in the next panel, and the resolute fist in palm at the end... You would know what was happening in this page even without word balloons, which is really as good as it gets.

One more thing I want to say about Martin's art in this issue of Amazing Spider-Man is that his sense of architecture is spectacular throughout the issue--so many comic artists draw cities as block after block of homogenous rectangle buildings, but Martin does a great job of keeping his setting just as varied as real world New York.

Also contributing to the great look of this issue is Javier Rodriguez on colors. He is a perfect compliment to Martin, with a coloring job every bit as subtle and smart as Martin's linework. EXCEPT...

(Mis)Adventures in Computer Coloring - Amazing Spider-Man #559
Yes, this is the third time I've gotten on this book for grievous misuses of Photoshop. What happened, Javier? Every other page of this book is beautiful, so why did you lose all sense of subtlety and restraint for the nightclub scene? It's so unpleasant I can only hope you were just trying to make a statement about how distasteful you find clubbing.

Snap Judgments: Quickie Comic Reviews for May 14, 2008

Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.

Amazing Spider-Man #559 gets a B from Albo
Dan Slott returns as the best of the Brand New Day herd. The real star of the issue, though, is artist Marcos Martin who throws down some really good looking pages that come off as something like a Tim Sale/David Lapham lovechild. The only problem with the art is some ugly ugly ugly coloring in a night club scene that buries Martin's work under a layer of splattered Day Glo vomit.

Wolverine: The Amazing Immortal Man and Other Bloody Tales gets a B from Albo
This one-shot contains three David Lapham-penned short stories that take place in different eras of Logan's non X-Man life. The first, a story of Logan working as a circus act in the 30s, is by far the best, even if it doesn't quite fit with what we know of his history. Only the third story falls flat, mainly because it just seems like a very normal Wolverine story after you've been given two alternate perspectives on the ole Canucklehead.

Reviews for Newuniversal: Shockfront #1 and Young Liars #3 after the jump.

Newuniversal: Shockfront #1 gets a C from Albo
I'm willing to bet that my inability to grasp what this comic is going for is 100% due to the fact that I'm completely ignorant of previous newuniversal stories. That being said, this book certainly didn't do anything to make me want to rid myself of that ignorance.

Young Liars #3 gets a C from Albo
Yes, this is the third review this week wherein I evoke the name of David Lapham. Call me a fanboy. I was less than impressed by this issue for many of the same reasons I wasn't sure about the first issue... The story's chronology skips around so much that I have a hard time getting caught up in the stakes of any given moment. Hopefully things settle down a bit for issue four (like they did in issue two) so I can relax and really get into this promising story.

Panel Discussion: Scans from Wonder Woman #19, Fantastic Four #556, Young Liars #2 and More

Every week we at Geekanerd rip panels from our comics and put them on display here, recognizing the best, worst, and weirdest moments of the week. Beware some major SPOILERS.

Click the pics for high res goodness!

20% Percent Gratuity: Wonder Woman #19
AHR: Here is how I believe this panel came to be....imagine if you will a conversation between artist Bernard Chang and editor Matt Idelson...
"I'm supposed to set this conversation between two men in the shower, but I don't want it to be too homoerotic."
"No problem. Put a sultry naked woman in the foreground."
"....in the men's shower?"
"Military bases can have co-ed showers. Didn't you see Starship Troopers?"

Great art, bad art, an evil Russian girl and a compromising position after the jump!

WTF Happened? - Young Liars #2
Albo: One minute the girl is whispering in the guy's ear and the next she's getting the "protective friend" hand on her shoulder and our hero is getting flipped off. Did he somehow project his fantasy for the world to see? Surely he's not getting the finger because the tickets aren't his? And just what WOULD that girl do to see Spoon? Especially considering that the book is set in 2005 Austin, where Spoon lived and assumedly played pretty frequently.

Best Actor - Evil Russian Girl, BPRD 1942 #4
AHR: I think this character has a name, but I can't be bothered to look it up. All you need to know is she's an evil demon in the form of a Little Russian Girl, and she displays a wide range of both evil and childlike emotions...

Ironically framed innocence! "Who, me?"

A classic "bad cop" interrogation pose.

Sulking

Two more adult expressions. Take charge confidence and affronted annoyance; "who is this bitch and who does he think he's talking to?"

Art Worth Praising - Chris Bachalo, Amazing Spider-Man #556
Albo: What an awesome composition this panel is. The patterns in the floor and in Jameson's gown feel very Sienkiewiczian, the block of light keeps our attention well-focused, the restricted color palette works really well, and the top down perspective is just f-ing cool.
Oooh, what a bleak and stormy night it is! I know this doesn't seem that exceptional out of context, but the whole issue does a really wonderful job of isolating Spidey out in the cold. Bachalo doesn't use black borders around the panels, furthering the feeling of being surrounded on all sides by snow.

Best Comic Timing - Simon Dark #7
AHR: I think many other artists would have been content to simply repeat the first panel to convey an awkward moment of thought process in the second panel. The joke still would have worked, but the blank look away really sells the confusion.

(Mis)Adventures in Computer Coloring - Amazing Spider-Man #556Albo: Please click the image to get a high res glimpse. Now take a look at that image of earth. Get a bucket ready because if you don't vomit at the "I just pulled this lossy jpeg off Google image search" look of that crap then you aren't paying attention. This is the second time we've had to call out this book for crappy use of photos.

Anachronism Alert! - Young Liars #2
Albo: Going to play Guitar Hero, are you? Well I hope you have a time machine, because you're living in April 2005 and Guitar Hero doesn't come out until November 2005!

Product Placement Sucks - Fantastic Four #556
Albo: Marvel is the biggest product placement whore on the planet. I'll accept your intrusive ads if A) You lower the price of the books or B) You remove all other advertisements. Otherwise I can't help but feel like I'm getting ripped off. And for all you guys saying product placement adds realism to a book, please tell me what sort of self-respecting human wears a t-shirt advertising Guitar Hero III: Mobile?

Biggest Letdown - Bryan Hitch's Art, Fantastic Four #556
Albo: It feels like only yesterday I was praising the art in this book. I'm not sure what's happened in the meantime (I hope it's something joyous like Bryan Hitch having a baby and therefore no time for art) but this stuff has gone way downhill. What the F is wrong with Johnny Storm in this panel?! He's been up all night shagging some supervillain, so a little weariness is in order, but c'mon! He looks like a zombie Gary Busey!
Now this one I'm willing to exonerate Hitch for and blame on the colorist... This is supposed to be a pretty impressive splash. And it would be, if I could tell what the hell is going on. There's no focus, it's all terribly jumbled.

From A Certain Point of View - Fantastic Four #556
Albo: Alyssa on ground spread eagle? Check. Sue Storm's head positioned directly between Alyssa's thighs? Check. Alyssa drawing closer to Sue with lips parted and eyes closed?
Check.

WTF?