That is a sneer to end all sneers. The low angle perfectly captures the fact that given super-powers, Lex is exactly what he always accused Superman of being; a selfish overlord with no respect for the people below him. Delicious.
Also there's this, my all time favorite kind of panel. That would be the "Bus Smashes Into Superhero Panel", seen on previous Panel Discussions here and here. Bonus points for showing the driver flying out of the car, which is certainly what would really happen.Vampires get it in the face, Penguin gets it twixt the legs, and Superman just doesn't get it, after the jump...
Most Unpleasant Panel - Batman and the Outsiders #11
That's The Penguin down there, if you can't tell. This looks like an illustration from a fan art no one, and I mean NO one wants to see.Best Interrogation Technique - Criminal Macabre - Cell Block 666 #1
Man, I love when heroes don't let the villains deliver their big speeches. Some bonuses include the subtle "click click" sound effect of the hammer clicking in the first panel, and the vampire's hilarious self-absorbed posturing as he's about to launch into his speech. Not today, sucka!The Magic of Comics - DC Universe: Decisions #1
Just a small example of the between the panel magic of sequential art. Wonderful clean work here, from the rustle of the newspaper to the air brushing through Lois's hair. And judging from her expression, Superman is definitely not getting laid tonight. What a nerd.

Spidey's pretty confident he's caught some Skrulls when really he's just confusing his Queens of the Jungle again.





There's a fun little coloring trick in this panel that works so well! The black level is lighter in the upper left than it is in the rest of the pic, simulating a lens effect that occurs when you've got a lot of bright light coming right into the lens. The boy here is squinting up to the top floor of a spooky house where he may-or-may-not see something. Lining the subtle coloring effect up with the boy's gaze doesn't just emphasize the squint--it makes it a squint! Look in his eyes and see if you can even fight the urge to squint along. This is something I recall feeling on my first read-through but it wasn't until another flip-through that I realized what was going on. You're a star, Tommy Lee Edwards!
I know that some people hate this shit, but Kelley Jones really wowed me this week with his return to Gotham City. I'd forgotten how much I loved his valuing of mood and graphical impact over realism. There's a magic and a theatricality to his portrayal of the Batman, something he is given the most freedom to exploit in the Caped Crusader's, uh, cape. -
Look at that! Is that the Batman, or a demon emerging from the mists?! Or *gasp* Is there a difference? Jones doesn't shy away from anatomical inaccuracy (re: Batman's gigantic knee) in his quest to deliver a kick ass image. Oh, and about that theatricality I mentioned...
Yeaahhhh, there she is. I love the idea that Batman is so intent on maintaining his image that he strikes scary poses even when talking to friends. But really, in context it's almost immaterial what position Bats is standing in, because you get the impression that the story is more of a foggy nightmare recollection than a video recording--Bats was probably just leaning against a wall picking his teeth or something, but the memory of it is so clouded by his weighty presence that the ordinary becomes fantastic, like in the stories where eyewitnesses actually identify Bats as a man-sized bat creature. He's just that terrifying.
And I couldn't resist one more killer cape shot. Our hero "dead," his faithful cape companion slumped and lifeless all around him. Awesome!








