Snap Judgments: Reviews for Wolverine, Locke & Key, True Believers and More

Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.

There are probably some minor SPOILERS herein.

Editor's Note: I didn't buy (or read) David Lapham's final issue of Spider-Man: Power and Responsibility this week, but I did pick it up in the store and skip to the end and was shocked by the twist ending. Without giving anything away, did anyone suspect that this was going to be a "What If?" story?

Amazing Spider-Man: Brand New Day: Extra!! gets an A from Albo
As if three issues of ASM a month weren't enough, here's a one-shot teasing what you can expect from the book this fall (after the advertised Slott/Romita Jr. Venom story!!!). While Kelly and Bacholo's Hammerhead story is a bit muddled, the other two tales are great little Spidey nuggets. One has him starting a fight with some snobs making fun of Harry, and the other has him defending himself in a court of law with Matt Murdock at his side. Lots of sharp dialogue in both these stories, and I continue to think Marcos Martis is the best of the current Spidey artist crop (though that will probably fall out the window when [did I already mention this?] Romita Jr. comes in to illustrate a Dan Slott Venom story!!!).

Reviews for The Lost Ones, Wolverine #67, Locke & Key #6, and True Believers #1 after the jump!

The Lost Ones gets an A from Albo
Does it bother me that the writing is sloppy in places? Does it bother me that sometimes the art ain't so great? No way. And why not? 'Cause this bastard was FREE. It's a big, handsome trade paperback collection of a Steve Niles story illustrated by four alternative artists that was originally published online somewhere. And now it's in my hands and it's FREE. This thing would cost like $20 normally. But instead it's FREE. Oh, the story is a really cool time travel dealie and some of the art is honestly out of this world.

Wolverine #67 gets an A from Albo
Mark Millar and Steve McNiven's post-apocalyptic "Old Man Logan" story continues. I'm loving it, and not just because I'd enjoy freaking Family Circus if it had McNiven drawing it. Millar's vision of Marvel's future is fresh, not the police states of 2099 or Days of Future Past, but something somehow infinitely more interesting--a world not in which the powers that be have turned bad, but in which the bad have turned into the powers that be. It's somehow a more optimistic view, because there is such a clear enemy. An enemy with a face that can be dealt with by way of a serious ass kicking. Too bad our hero is a pacifist.

Locke & Key #6 gets a B from Albo
This book has been so good to me since issue one, and now here we are at the end of the miniseries. The only fault that can be applied to this issue is that it wraps things up a bit too quickly, but with an ongoing series coming in the Fall I don't feel all that cheated. This book came out of nowhere (you may have noticed that you were never able to find the early issues because your store under-ordered BIG TIME) to become one of my favorite reads of '08. Definitely pick up the inevitable trade when it comes out, then flood my inbox with thank you letters.

True Believers #1 gets a B from Albo
A tentative B. This issue had just enough new ideas to excite me about the potential of upcoming stories, but not enough blatant quality to assure me that it will live up to that potential. The story is about a team of superpowered folks who've taken on the duty of uncovering corruption and scandal among the elite, both superpowered and otherwise. They are very advanced technologically, so much so that even S.H.I.E.L.D. can't draw a bead on them. Honestly, I probably won't pick up the next issue unless there isn't much else out that week, but as blind buys go it was completely inoffensive.

Snap Judgments: Reviews of Invincible, Liberty Comics, War Heroes and More

Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.

There are probably some minor SPOILERS herein.

Liberty Comics: A CBLDF Benefit Book gets an A- from AHR
Mark Millar's tale of Vampire ennui is reason enough to get this book. I've been asking Albo for a while why Mark Millar is considered such hot shit when all I've read by him concerns former-nerd baddasses in rubber suits, but this five page story surprised me. I do wonder why it's the only story in here with nothing to do with censorship. The minus grade is only for the Criminal story, which is as emotionally bloodless and by the numbers as every other issue of Criminal I've ever read.

Ambush Bug: Year None #1 gets a B from Albo
I usually don't like humor books, but this book is full of genuinely funny gags. I'm sure I'd get even more out of it if I wasn't such a Marvel Zombie, because most of the humor is DC in-jokes (Ambush Bug inspiring Jean Loring to kill Sue Dibny, for instance--and even accidentally suggesting the method!). Anyway, some of it is very meta (Ambush Bug wondering why his thoughts don't appear in clouds anymore), which is always exciting to me. Recommended for you DC freaks.

Reviews for Avengers: The Initiative #15, Invincible #51, Two-Face: Year One #1, War Heroes #1, Joker Asylum: Scarecrow #1 and New Avengers #43 after the jump!

Avengers: The Initiative #15 gets a B from Albo
Dan Slott's finding a way to make his Avengers book relevant to Secret Invasion but compelling on its own, something that Bendis isn't quite managing over at Mighty and New. This story, brilliantly titled "The Only Good Skrull..." is about just that--the only good Skrull. It's a little hokey in execution, but somehow I think that's the style Slott's going for. It's like an after school special about a closeted gay teen. Except this one's about a Skrull who's been in hiding and operating as an Earth hero and who worries that the current Skrull invasion might reveal his true colors, at which point it'll be too late to convince the Earthlings he's a good guy. Anyway, far from perfect, but Super-Mega-Colossal-Event tie-ins are so tough to do well that I'm giving it serious props.

Invincible #51 gets a C+ from AHR
"Jump on!" they said. "The new story starts here!" they said. Feh. Only having read a bit of Invincible before, about half of this issue felt like talking heads, and heads that belonged to people I didn't know. The half that followed Invincible and his kid brother, however, was fun enough and the art in this book is appealing enough to get me through. Don't like the new costume though, and I don't even remember what the old one looked like.

Two Face: Year One #1 gets a C from AHR
It's always nice to see some familiar faces from Gotham Central (Maggie Sawyer, GCPD lezforce go!) and it's neat that they integrated the crime boss from Dark Knight, but then they destroy any continuity with the movie by offering the tried and true split-personality acid origin Harvey's always had. Throw in some really strange writing choices in which white-collar characters brush-off random acts of agression by their colleagues like it happens every day, and this feels like a rush-job.

War Heroes #1 gets a C from Albo
I believe I'm getting Millar fatigue. Maybe I still have a bad taste in my mouth from Wanted. I wanted to like the film, some reviews said I would like the film, but... ugh. Anyway, there's been so many Millar books recently (Fantastic Four, Wolverine, 1985, Kick-Ass, on and on and on) and more often than not I like them. But I think I've reached my saturation point, because I found very little to enjoy in War Heroes. Just that same slick Millar attitude with not much below the surface. I might be being too harsh, as it's only the first issue, but... Millar has wowed in the past with first issues (Kick-Ass, for instance). It doesn't help that in the back of the book he spends half a page declaring how awesome he is.

Joker Asylum: Scarecrow #1 gets a C- from AHR
It's really cheesy that all the issues in this miniseries are #1's, even though they're all part of a sequential anthology. Also the plot is like one of those teen horror movies from the mid-90s, except instead of a killer in a black cloak the bad guy is the Scarecrow. What a sad excuse for a spotlight issue. But I couldn't bear to give a book with such awesome art a D. It's chunky and colorful and very web 2.0. Sure it's not very scary, but with a script like this it was never going to be.

New Avengers #43 gets a D from Albo
Bendis, you have really blown it. You spend years setting up the Marvel Universe for one huge event, and then when it's finally time for shit to hit the fan--you hit the pause button. Let's see, what has happened in Secret Invasion thus far? A ship of Skrulls posing as heroes have crashed in the Savage Land and are fighting our heroes. A handful of Skrulls have appeared in Times Square and are fighting our heroes. That's it. Oh, sorry, last issue of Secret Invasion had Nick Fury show up and fight. Bendis' Avengers books, meanwhile, are stuck in the past, telling us all about how we got to this moment but not progressing the "event" in any way. I'm sure this Invasion stuff will make a great hardcover one day, when the stagnancy of it is softened by the absence of month long waits between issues, but for now it's growing more and more fetid.

Panel Discussion: Scans from 1985 #1, Teen Titans #59, All-Star Superman #11 and More

Every week we at Geekanerd rip panels from our comics and put them on display here, recognizing the best, worst, and weirdest moments of the week. Beware some major SPOILERS.

Click the pics for high res goodness!

Tou-flippin'-che - 1985 #1
More awesome shit from the books you love (or hate, or whatever) after the jump...

She Must Get That All The Time - New Avengers #41Spidey's pretty confident he's caught some Skrulls when really he's just confusing his Queens of the Jungle again.

Visual Repetition Alert - Teen Titans #59

It doesn't really matter what's going on in the following panels, all you need to know is that they're from two completely different scenes in the same book.
And later....The weirdest thing about these panels is although they're conveying the extact same expression in the exact same way, the artist actually took the time to draw it twice with very small differences, most notably Robin's hair. If Robin is going to keep hammering us with this look, it should have a name a la Derek Zoolander; I nominate "Red Dawn". - AHR

All In The Timing Award - All-Star Superman #11
These two panels actually made me laugh out loud. An evil sun-planet/supercomputer crashing to earth could have easily been drawn in one panel, showing the spectacular moment of impact from a distance, or could have been dragged out over several panels to build suspense. But by giving us one quick taste of what the approaching sun looked like from a bystander's point of view (just enough to merit a "wha?"), and then going directly into this ridiculous bounce....beautiful. -AHR

Millar Rips Marvel in Marvel? - 1985 #1

Millar sets up the 1985 world as "the real world" the same way he did in Kick-Ass... By having them talk about comics! This time the convo takes place in a comic shop, and a disgruntled employee interrupts a conversation about Secret Wars to denounce mainstream comics. Funny, though, that he looks like the mangiest, loneliest, grumpiest kid in town. - Albo

I'd hit it. - AHR

Naturally. He looks like you in a stocking cap. -Albo

Artistic License - Final Crisis #1If an artist wants to reveal a superhero via his alter-ego, they can get away with pretty much anything. Think of all the bat-shaped shadows has Bruce Wayne has cast over the years. J.G. Jones is a master of composition, as notably displayed by his stellar 52 covers, and I adore his spin on the classic opening-shirt-to-reveal-costume bit. It's nonsense, but who cares? It's an expressionist medium, people! - AHR

Clearest Example of Batman's Insanity - Batman #677
Okay, so this entire issue is centered around Jezebel Jet telling Bruce that he is nut nut nutty as a nutbar, mostly based on the fact that he owns and operates a giant cave filled not just with surveillance equipment but with dinosaurs and and other loopy items of interest one might expect to find at a roadside tourist trap. But nothing sums up Batsie's unique brand of clinically formal obsession like this drawing of Jason Todd's costume; I don't think I've ever seen it portrayed as all torn up and perforated. This of course implies that this is not just one of Jason's costumes, but the actual outfit taken off of Jason's corpse. I've said it before and I'll say it again; Yikes. -AHR

The Subtle Touches - 1985 #1There's a fun little coloring trick in this panel that works so well! The black level is lighter in the upper left than it is in the rest of the pic, simulating a lens effect that occurs when you've got a lot of bright light coming right into the lens. The boy here is squinting up to the top floor of a spooky house where he may-or-may-not see something. Lining the subtle coloring effect up with the boy's gaze doesn't just emphasize the squint--it makes it a squint! Look in his eyes and see if you can even fight the urge to squint along. This is something I recall feeling on my first read-through but it wasn't until another flip-through that I realized what was going on. You're a star, Tommy Lee Edwards! - Albo

Realism 0, Expressionism 1 - Batman: Gotham After Midnight #1 I know that some people hate this shit, but Kelley Jones really wowed me this week with his return to Gotham City. I'd forgotten how much I loved his valuing of mood and graphical impact over realism. There's a magic and a theatricality to his portrayal of the Batman, something he is given the most freedom to exploit in the Caped Crusader's, uh, cape. - Albo

Eschery goodness! - AHR
Look at that! Is that the Batman, or a demon emerging from the mists?! Or *gasp* Is there a difference? Jones doesn't shy away from anatomical inaccuracy (re: Batman's gigantic knee) in his quest to deliver a kick ass image. Oh, and about that theatricality I mentioned...

Yeaahhhh, there she is. I love the idea that Batman is so intent on maintaining his image that he strikes scary poses even when talking to friends. But really, in context it's almost immaterial what position Bats is standing in, because you get the impression that the story is more of a foggy nightmare recollection than a video recording--Bats was probably just leaning against a wall picking his teeth or something, but the memory of it is so clouded by his weighty presence that the ordinary becomes fantastic, like in the stories where eyewitnesses actually identify Bats as a man-sized bat creature. He's just that terrifying.And I couldn't resist one more killer cape shot. Our hero "dead," his faithful cape companion slumped and lifeless all around him. Awesome!

I leave you with Kelley's ridiculous little Bat-Kart. Wheee! - Albo

Snap Judgments: Dead, She Said #1, Amazing Spider-Man #560 and More

Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.

Dead, She Said #1 gets an A from Albo
The more of Steve Niles' work I read the more I like the guy. I picked up 30 Days of Night when it was on the stands back in the day and came away feeling it was a little thin. But Simon Dark, among other things, has made me take another look. This horror noir story starts with a private dick waking up and cracking his way out of rigor mortis... That's right, he's "dead," shot through the belly and he's determined to figure out why. Giant ants may be involved. Smart, original, well worth your dollars.

Reviews for Amazing Spider-Man #560, Mighty Avengers #14, and Fantastic Four #557 after the jump!

The Amazing Spider-Man #560 gets a B from Albo
Not much more to say that I didn't say in last week's review of #559. Just a solid Spidey story from Dan Slott with killer art from Marcos Martin. We learn a little more about "Paper Doll" this week, and she's turning out to be a pretty cool villain. Different, at least. Also this ish contains the return of a major Spidey character we haven't seen since this whole Brand New Day stuff started...

The Mighty Avengers #14 gets a B from Albo
Frank Cho being so slow of an artist forced Bendis to approach his Avengers books in an interesting way--he was trying to thread the two books into one ongoing story, but since Mighty was taking so much longer than New he ended up creating a lot of flashback stories as filler for New in order to keep the books on roughly the same timeline. Well now that's become a real style of his, as most of his Secret Invasion tie-in stories skip around in time more than a season of LOST. I say it works, even if it does get a little tough to put all the pieces together in my head. This ish in particular is about how the Skrulls have approached the "problem" of the Sentry, and it's a testament to the new era of comics that their solution isn't just "hit him really hard," because as we (and they) know, that never works for the bad guys. Well, except maybe Doomsday.

Fantastic Four #557 gets a C from Albo
Ahem. To defeat a giant robot that pummeled every Marvel hero in existence and destroyed dozens of military complexes around the globe, Mister Fantastic builds a bigger robot (which he inexplicably dubs "Anti-Galactus"... wtf?) in an AFTERNOON and bases his whole battle strategy on the ASSUMPTION that the robot's creator included him in a list of people that it couldn't harm. When he could have, oh I don't know, CALLED HER JUST TO MAKE SURE. Lazy storytelling from a guy that's probably too busy out promoting the movie adaptation of Wanted to give a damn. On a positive note, there is a really sweet scene at the end (which I woulda given an "A" if it were a standalone story) where Reed takes Sue out on an anniversary date--back in time to the moment they first met. And as a gift he gets her a ring with a "stone" that's actually a micro-galaxy with "over forty trillion couples ... all loving each other like I love you." What kind of softy have I become when I open a comic and prefer the date scene to the giant freaking robot fight?! Am I losing my Geekanerd touch? Or is Millar just better with character moments than action?

Marvel Honchos Reveal Original Civil War Concept

Tom Brevoort has released some correspondence between himself, Mark Millar and Joe Quesada from early on in the development of Marvel's recent Civil War mega-event. There are some significant ways in which it differs from the version that eventually found its way into our hands. For one, it was planned as a 12-issue series, not 7. One of the big reasons seems to be that it would have included World War Hulk.... kindof. From the article:

"I’d really like to see the Hulk attack Earth and bring with him small, five foot versions of the Hulk called Hulk Babies who are just as powerful and dangerous, but the spawn of the Hulk after he’s bedded a hundred thousand alien chicks. They should all look the same and do enormous amounts of damage when they show up with Dad."

A hundred thousand alien chicks! Millar's either a genius or a very lonely man. More highlights after the jump, including Super Stealth Versions of our favorite heroes, Dr. Doom's Throne of Depowerment, and Captain America's original fate.

So apparently in Millar's early conception, the Anti-Registration heroes would go underground and don Ninja garb! Well not quite, but:

"The other side, led by Cap, have formed a new team and they’re all wearing new stealth costumes (redesigns of their original costumes that can’t be picked up by satellite or radar) and their objective is equally simple; they want to perform their superhero duties without being captured by the first time. They’re a secret society. An underground movement."

Quesada has some interesting thoughts on Captain America and the Punisher, in reaction to a dustup they get into when the Punisher blows the heads of some supervillains that want to volunteer for the cause:

"When you really look at these two characters standing side by side, they really are our Batman and Superman. Cap’s almost an alien being, Christ figure while Frank is the man without powers who lost his family and what they share is two wars that couldn’t be more different."

Apprehended renegade heroes were originally fated to Dr. Doom's Throne of Depowerment:

"There’s been talk of some machinery recovered from Latveria after the Secret War and the SHIELD techies are building a half-finished device Doctor Doom was working on which turns super-people into ordinary human beings. The plan is to humanize each and every one of these guys banged up in [the Negative Zone]."

"This is being used on Speedball, the hero who kicked this whole thing off, and we see him stripped of his superpowers on live TV and returned to society. It should be an awesome moment and one the heroes watch with a certain amount of fear."

In the original ending, Cap sacrifices his powers to destroy the DoomTech (they never actually refer to it as a Throne, but c'mon, it's Dr. Doom!), and then shares a touching scene with Col. Nick Fury:

"We close the whole thing with Nick Fury talking to the 97lb Steve Rogers in the closing pages. ...[Cap] admits that, despite everything, he’s kind of excited to get his life back again. He’s heading out to discover America and rediscover himself and Nick smiles. Steve hopes he isn’t being selfish and Nick says no way. 'One Hell of a tour of duty you just had, soldier,' he tells Steve and Steve just smiles. They salute and Steve Rogers, skinny as a rake, walks off into the sunset like all the best heroes should."

*sniff* *sniff* Oh yeah, I forgot mention that they were friends again at this point because all the heroes united to deal with World War Hulk. Didn't see that coming. Is this what we can expect to come out of the current WWH? A clean fix to all the Marvel Universe's problems and a return to the status quo because Hulk mad smash puny humans? I sure hope not, heroes at odds reuniting to face a common threat is the oldest comic cliche in the book.

Anyway, if you're interested at all in this stuff the full post is a must-read. There is a lot of good behind the scenes chat, and many vague references to "that alien invasion we talked about".... Can anyone say Skrulls?

Via Newsarama.